by Jayna Valen and Sashi
Why We Did It
Sashi is a friend of mine, and a civil engineer by profession. Like me, he’s an artist, passion-wise. We often speak about collaborating on art projects but are always too busy with our day jobs. However, it finally happened. This is the first art project we did together. And what can I say? It was an amazing experience. We had lots of fun and learned a lot in the process.
As a fine art photographer, Sashi loves to explore unconventional ideas. I am no less eccentric, which is probably why we make a good team (when we’re not fighting, at least).
This shoot was pretty much a regular fashion shoot, but since it was the first time we were working together on a personal art project, we didn’t get too crazy with things. He gave me some basic guidelines on the mood and emotions he wanted to capture in the model, but he left the fashion styling and wardrobe choices entirely to me. I didn’t really know what to expect either, so I formed some mental concepts and decided to go with the flow.
As an ex-fashion editor of CLEO and wardrobe stylist on film sets, I’d worked with a lot of models before. From directing photo shoots and costuming to doubling up as a makeup artist, I’ve done a bunch of these things and thoroughly enjoyed myself along the way, before I ditched it all for the drab stability of financial-services cubicle life. These projects are my escape routes from my self-inflicted, modern-day slavery.
I’ve also been a die-hard fan of Vogue and haute couture since I could read, so you can say fashion is in my blood. My mum is a seamstress; a very good one too. I had all my dresses tailor-made for me right up to my teens. Sometimes, I helped my mum sew, especially during Diwali when there was too much to do. I literally grew up steeped in fashion.
My Fashion Styling for the Model
Our model expressed her wishes to be shot in street-style denim and muted colors, with some implied nudity thrown in. In fact, she’d contacted Sashi after seeing his fine art photography with a nude model, so we knew she was comfortable with that kind of art.
I asked if she was okay to try a saree, and she was game. I was excited; I loved draping sarees on non-Indian women. With an Indian woman you kind of know what it’s going to look like, but with a woman of a different ethnicity, it’s always a wonderful surprise.
I requested for a few pictures of her, full-length and without makeup, to get some ideas and inspiration on how to dress her. Then, I began the process of picking the outfits.
She is from Sudan, and had the exotic, ethnic features of people from that region. I decided to use outfits that contrasted with the idea of fashion that’s generally associated with people of African roots (bright colors, turbans, bold prints, etc.). I asked her to keep the makeup neutral and natural so it would blend with a variety of looks.
Her major plus points were her lovely figure and long legs, so I decided to play those features up with the clothes I chose for her. I picked a raincloud-grey jersey dress, an acid-wash denim miniskirt and jacket combo, a white and blue Bohemian-inspired ensemble, a sheer beige chiffon top and finally, a black saree with champagne and frosted copper detailing. With the modern clothes, I was aiming for a breezy, natural look – the kind you’d see on a city girl who’d gotten dressed to stroll the streets on a beautiful summer’s day.
I loved the way the pictures turned out, they were perfect to me. The ones of her in the saree stunned me though. I don’t know how or why, but she suddenly transformed into a goddess the minute I finished draping the material over her. She just immediately became more elegant and graceful. She glowed. A demure, dark radiance. A saree does that to women, I’ve noticed. It brings out that sacred feminine beauty in ways that other outfits simply can’t.
I chose the saree based on her name, which means ‘Night Journey’ in Arabic. Here she is, the dark moon draped in a galaxy of stars. And Sashi captured her resplendence perfectly, in that precise moment when our energies of creation aligned. I created the look, she created the magic and he created the art with a click.
As a photographer, it would be a crime to say the role of a photographer is only limited to identifying special moments. I can be vilified for such a claim by the photographers’ community. I don’t really care. With the advent of technology, endless auto-modes and presets, anyone can capture a good quality photograph, even with a mobile phone.
So what separates a photographer from a camera owner? It’s the eye for tasteful details that touch the artist in everyone. It’s just like good music. Everyone likes it but no one knows why and the composer would have most certainly not composed it academically.
I’ve always been on the receiving end of questions like what is it that I intend to convey through a particular photograph. My answer is always the same; none. Art is just a reflection of our inner being manifesting in completely purposeless action; purposeless as far as satiating our rudimentary survival needs is concerned. Art is self-expression, something as simple as a wink or showing your middle finger in anger. It should not be academic. Do you calculate how high you have to raise your hand and the moment force to be applied to express the right amount of anger when you show your middle finger? That’s my type of photography. I don’t overthink the outcome. I don’t plan my shots. I don’t think about the rule of thirds, shadows behind the nasal bridge and the grains in the highlights. The details are always there for us to see, everywhere and anywhere, in the darkness and in bright sunshine. You don’t see the stars during the full moon and when you get to see the stars during new moon, you don’t get to see the moon. The moments are just beautifully unfolding perpetually. We fail to see them more often than not.
I am an impulsive photographer. I click each time I see a good moment from my perspective. I don’t give out too many instructions, let alone clear ones. I told Shrishthi (Jayna) a few things. “I am a fine art photographer. Whoever I shoot and whatever the theme, I want my pictures to be a double edged sword. Seductive without being obscene, raw yet aesthetic, gracefully minimalistic. Strictly no manipulation of body parts. Capture human beauty in its natural state”.
She suggested a little bit of makeup, some clothes, and maybe heels. I would rather take a lot of stick than to receive a diplomatic compliment. Diplomacy and normalcy are like flaccid dick. Not much use. A hard on is debatable. Men think a hard on makes them superhuman. Women feel it’s equally boring because men don’t last. But there it is; a double edged sword and hoopla. Anyway, I was just kidding.
All three of us showed up on the day of the photoshoot. I set up some basic lighting. The stylist decided on the outfit, the model posed with the input from the stylist and I clicked. Both of them created the moments and the details for me. They were brilliant. I just needed to click at the right time. I think the outcome of their work was quite impressive.
What Does it Take to be a Model?